How does science manage to represent the world around us? Beyond the abstract question of how scientific theories represent the world, in recent years the material practices and the important role of formats and media have come into full view. More than twenty years ago, the volume 'Representation in Scientific Practice' (MIT Press, 1990) did much to bring out the material side of scientific representation as a process. Now, the original editors, together with a team of younger-generation scholars in science and technology studies, have returned to the question of representation in their 'Representation in Scientific Practice Revisited' (MIT Press, 2014). An important new dimension: the digital processing and representation of data. While there may not be, in the end, such a thing as a unified notion of 'scientific representation' simpliciter, and hence, as BRB reviewer Gabor Istvan Biro argues, the exact location of the 'vanishing points' of the discourse on representation may not be found in this volume, it nonetheless has much to offer in terms of insight into how and why scientists struggle with scientific representation in the digital era.
Writer Wolfgang Herrndorf committed suicide in the summer of 2013, at age 48. He was best known for his bestselling novel "Tschick", which garnered Herrndorf many literary accolades, even as he was diagnosed with a brain tumour shortly before its publication. Herrndorf documented his thoughts and the final years of his life in a blog, which has now been published as a book entitled "Arbeit und Struktur" ("Work and Structure", Rowohlt, Berlin 2013). The title is derived from a comment by one of many doctors (Herrndorf, in his diary, resorts to referring them by numbers), who had recommended "work and structure" as a way of confronting fear and despair. Yet, as reviewer Frank Berzbach observes, no matter how depressing the diary’s entries are getting, at no point does Herrndorf allow his suffering to wrest control of his life from him: "This, indeed, is a reason to read his book: so as to maintain the upper hand, come what may. So as not to be driven to madness, or to escapism."
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.