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Sherlock Holmes, Romantic

From 21st-century TV adaptations to steam-punk movies based on Conan Doyle's original stories, Sherlock Holmes is hot. In this two-part article, BRB contributor Bruce Fleming looks for the real in the fictional stories of murder, crime, and 19th-century forensics. What he finds are stark contrasts: between urban life and the dark side of the English countryside; between Romantic ennui and eccentric exhilaration; between the dull and predictable life of the English worker and the exoticism of the colonies. In the end, it turns out, Holmes is both a Romantic -- a brother to Baudelaire and his contemporaries -- and something different altogether. Where Baudelaire celebrates, and wallows in, ennui, Holmes is a curiously passive rebel against the forces of lethargy. Holmes, then, is perhaps more human than his super-human inferential abilities might suggest, and a quintessentially modern figure to boot.

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Welcome to The Berlin Review of Books

The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.

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