In a world that is more and more connected by electronic and other social media, questions of reputation and its management become ever more important, even to individuals who previously would not have thought of themselves as being in the public limelight. A recent volume, 'La Réputation' (2013), edited by Gloria Origgi and published by the Centre Edgar-Morin, explores this topic from an interdisciplinary perspective. Composed of twelve articles, ranging from psychology and economics to philosophy and sociology, the volume aims at a 'disenchantment' of the elusive notion of reputation. As reviewer Thomas Mollanger notes, though the volume engages little with the extensive body of reputation research in the English-speaking world, it nonetheless succeeds in highlighting and analyzing the centrality of reputation to a range of social phenomena.
Fairy tales seem quaint, imbued with the patina of a bygone age -- literary misfits in a modern world. Why, then, do they continue to be so remarkably popular? One reason is their appeal to timeless experiences, conflicts, and narratives that are intelligible across different traditions. In a new edition of a 1934 collection of 'modernized' fairy tales, which was first commissioned by Peter Davies (and has now been updated, with a new introduction, by Maria Tatar), much of the patina is stripped away from the olden stories -- and a significant dose of satire and black humour is added -- revealing just how much fairy tales can tell us also about the modern world. As reviewer Dieter Petzold observes, many of the modernized versions amplify the originals, by adding details that make their fictional world often seem 'more real' than the silhouette world of traditional folktales. And, perhaps more tellingly, virtually all modern writers take an ironic stance -- adding a layer of self-conscious awareness to the intrinsic strangeness of the worlds described.
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.