Carnap's ideal of explication has become a key concept in contemporary philosophy, especially within the analytic tradition, and lies at the heart of a method of analysis that has sometimes been placed in opposition to various forms of naturalism. A new collection of essays, edited by Pierre Wagner, explores a range of issues in connection with 'Carnap's Ideal of Explication and Naturalism'. The essays in the book may be roughly divided into three parts: first, an exploration of the historical context of Carnap's philosophy; second, a set of detailed case studies concerning explication and its evaluation; third, a critical assessment of recent claims (and counter-claims) concerning the dialectical nature of Carnap's notion of explication. While not all essays aim for the same level of detail or historical depth, taken together, writes BRB reviewer Adam Tuboly, the essays point to fruitful new lines of research in Carnap studies and in the history of analytic philosophy more generally.
Writer Wolfgang Herrndorf committed suicide in the summer of 2013, at age 48. He was best known for his bestselling novel "Tschick", which garnered Herrndorf many literary accolades, even as he was diagnosed with a brain tumour shortly before its publication. Herrndorf documented his thoughts and the final years of his life in a blog, which has now been published as a book entitled "Arbeit und Struktur" ("Work and Structure", Rowohlt, Berlin 2013). The title is derived from a comment by one of many doctors (Herrndorf, in his diary, resorts to referring them by numbers), who had recommended "work and structure" as a way of confronting fear and despair. Yet, as reviewer Frank Berzbach observes, no matter how depressing the diary’s entries are getting, at no point does Herrndorf allow his suffering to wrest control of his life from him: "This, indeed, is a reason to read his book: so as to maintain the upper hand, come what may. So as not to be driven to madness, or to escapism."
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.