Following in the footsteps of Alexis de Tocqueville, Denis Lacorne's "Religion in America" brings a French sensibility to bear on social and political issues in the United States. But does Lacorne's analysis measure up to the ambition of his predecessor? In some sense, Lacorne's book offers an even richer dose of Frenchness by dedicating considerable also to other French writers. Lacorne distinguishes two concurrent narratives: a secular narrative derived from the philosophy of the Enlightenment, and a romantic/'Neopuritan' narrative, which sees the establishment of the Puritan colonies in New England as the culmination of the movement that started with the Reformation. Yet, neo-Messianic overtones remain to the present day -- one need only think of the message of 'hope', with which Obama won his first presidential election. On the whole, writes reviewer Hans-Dieter Gelfert, Lacorne's book is a useful source of historical information and a well-balanced assessment of its subject matter, even if does not provides as close a look at the religious heart of America as one might have wished.
Fairy tales seem quaint, imbued with the patina of a bygone age -- literary misfits in a modern world. Why, then, do they continue to be so remarkably popular? One reason is their appeal to timeless experiences, conflicts, and narratives that are intelligible across different traditions. In a new edition of a 1934 collection of 'modernized' fairy tales, which was first commissioned by Peter Davies (and has now been updated, with a new introduction, by Maria Tatar), much of the patina is stripped away from the olden stories -- and a significant dose of satire and black humour is added -- revealing just how much fairy tales can tell us also about the modern world. As reviewer Dieter Petzold observes, many of the modernized versions amplify the originals, by adding details that make their fictional world often seem 'more real' than the silhouette world of traditional folktales. And, perhaps more tellingly, virtually all modern writers take an ironic stance -- adding a layer of self-conscious awareness to the intrinsic strangeness of the worlds described.
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.