How do we feed an ever growing world population in an environment of increasing scarcity? In their book 'Food Policy and the Environmental Credit Crunch: From Soup to Nuts' (London: Routledge 2014), investment bankers Julie Hudson and Paul Donovan liken the current overuse of the environment to the over-borrowing that ultimately led to the credit crunch in the global financial markets in 2008/09. Yet, argues reviewer Heiko Fritz, this perspective is ultimately limiting, and says more about the mindset of those trained to look at the world's problems through the lens of financial markets, than about the challenges of food policy under conditions of environmental degradation. This is why, ultimately, the authors converge on the misguided conclusion that, as Fritz summarizes their views, "the hunt for technical efficiency is the most pressing problem of global food production".
Fairy tales seem quaint, imbued with the patina of a bygone age -- literary misfits in a modern world. Why, then, do they continue to be so remarkably popular? One reason is their appeal to timeless experiences, conflicts, and narratives that are intelligible across different traditions. In a new edition of a 1934 collection of 'modernized' fairy tales, which was first commissioned by Peter Davies (and has now been updated, with a new introduction, by Maria Tatar), much of the patina is stripped away from the olden stories -- and a significant dose of satire and black humour is added -- revealing just how much fairy tales can tell us also about the modern world. As reviewer Dieter Petzold observes, many of the modernized versions amplify the originals, by adding details that make their fictional world often seem 'more real' than the silhouette world of traditional folktales. And, perhaps more tellingly, virtually all modern writers take an ironic stance -- adding a layer of self-conscious awareness to the intrinsic strangeness of the worlds described.
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.