'Who owns Germany?' What might look like a polemical question, intended to incite envy, is in fact a valid concern that merits attention from social scientists and policy-makers. On average, a German household owns wealth to the tune of more than two-hundred thousand Euros. But wealth is unevenly distributed -- which is why half of the population owns barely 1.4 percent of total wealth, whereas two thirds of Germany's wealth are in the hands of the top 10 percent. In his eponymous book, 'Who Owns Germany?' (Westend, Frankfurt 2014), Jens Berger traces the origins and the consequences of uneven wealth distribution, its hidden mechanisms and those profiteer from policies that continue to channel wealth from the bottom to the top. Throughout, writes reviewer Patrick Schreiner, Berger maintains a measured tone and displays a keen attention to detail and an awareness of the social realities -- from the casualization of labour to the malfunctions of the international financial markets.
Fairy tales seem quaint, imbued with the patina of a bygone age -- literary misfits in a modern world. Why, then, do they continue to be so remarkably popular? One reason is their appeal to timeless experiences, conflicts, and narratives that are intelligible across different traditions. In a new edition of a 1934 collection of 'modernized' fairy tales, which was first commissioned by Peter Davies (and has now been updated, with a new introduction, by Maria Tatar), much of the patina is stripped away from the olden stories -- and a significant dose of satire and black humour is added -- revealing just how much fairy tales can tell us also about the modern world. As reviewer Dieter Petzold observes, many of the modernized versions amplify the originals, by adding details that make their fictional world often seem 'more real' than the silhouette world of traditional folktales. And, perhaps more tellingly, virtually all modern writers take an ironic stance -- adding a layer of self-conscious awareness to the intrinsic strangeness of the worlds described.
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.