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The New French Right

A growing number of French intellectuals, from Alain Finkielkraut to Jean-Pierre Le Goff and Michel Houellebecq, are dissociating themselves from liberalism, which they consider to be undergoing a crisis, and a few are openly aligning themselves with what one might call the 'New French Right'. BRB reviewer Thorsten Botz-Bornstein examines two recent books in this vein: 'The New Children of the Century' (Les Nouveaux Enfants du siècle) by Alexandre Devecchio and Bérénice Levet's 'Twilight of the Progressive Idols' (Crepuscule des idoles progressistes). Where Devecchio openly declares his sympathies for a new generation of right-wing activists and thinkers, whom he believes have little in common with the older Le Pen generation, Levet takes herself to be defending originally progressive Enlightenment ideals and reinvents many points that international critics of neoliberal education have been working on for years. Yet both books suffer from serious oversimplifications. Devecchi laments that cultural liberalism was the Trojan horse of the free circulation of capital, and Levet speaks likewise of a 'tacit pact between cultural leftism and economic liberalism'. Yet such connections are merely asserted -- and reflect a willful ignorance of the far more complex relationship between cultural and economic liberalisms and freedoms. Instead of obsessively fighting against liberalism, it would be more constructive and also logically cogent to fight against what Gilles Lipovetsy has called “hedonist capitalism" -- yet such an analysis would require more depth and fewer polemical distractions.

Asides

Welcome to The Berlin Review of Books

The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.

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