From 21st-century TV adaptations to steam-punk movies based on Conan Doyle's original stories, Sherlock Holmes is hot. In this two-part article, BRB contributor Bruce Fleming looks for the real in the fictional stories of murder, crime, and 19th-century forensics. What he finds are stark contrasts: between urban life and the dark side of the English countryside; between Romantic ennui and eccentric exhilaration; between the dull and predictable life of the English worker and the exoticism of the colonies. In the end, it turns out, Holmes is both a Romantic -- a brother to Baudelaire and his contemporaries -- and something different altogether. Where Baudelaire celebrates, and wallows in, ennui, Holmes is a curiously passive rebel against the forces of lethargy. Holmes, then, is perhaps more human than his super-human inferential abilities might suggest, and a quintessentially modern figure to boot.
Writer Wolfgang Herrndorf committed suicide in the summer of 2013, at age 48. He was best known for his bestselling novel "Tschick", which garnered Herrndorf many literary accolades, even as he was diagnosed with a brain tumour shortly before its publication. Herrndorf documented his thoughts and the final years of his life in a blog, which has now been published as a book entitled "Arbeit und Struktur" ("Work and Structure", Rowohlt, Berlin 2013). The title is derived from a comment by one of many doctors (Herrndorf, in his diary, resorts to referring them by numbers), who had recommended "work and structure" as a way of confronting fear and despair. Yet, as reviewer Frank Berzbach observes, no matter how depressing the diary’s entries are getting, at no point does Herrndorf allow his suffering to wrest control of his life from him: "This, indeed, is a reason to read his book: so as to maintain the upper hand, come what may. So as not to be driven to madness, or to escapism."
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.