Recently, a string of authors have lamented the state of American university education, including the limited aspirations of college students. Instead of pursuing, as William Deresiewicz called it, "passionate weirdness", students major in applied subjects such as business studies, enter the financial sector and management consultancies, quickly leaving a more critical engagement with the status quo behind. What’s striking for the student of cultural history is the fact that every quarter-century or so this sentiment resurfaces, with professors expressing extreme frustration with how unlike them their students are, how docile and unquestioning. Tracing a trajectory from Horkheimer and Adorno's 'Dialektik der Aufklärung' (1947) via Bloom's 'The Closing of the American Mind' (1987) to more recent examples such as Deresiewiciz's 'Excellent Sheep' (2014), BRB critic Bruce Fleming analyses this historical phenomenon. What he finds is that reading all these eerily similar books back to back suggests larger truths that no individual author can more than hint at, truths about the position of cultural critics and their ultimate inability to change that culture.
Writer Wolfgang Herrndorf committed suicide in the summer of 2013, at age 48. He was best known for his bestselling novel "Tschick", which garnered Herrndorf many literary accolades, even as he was diagnosed with a brain tumour shortly before its publication. Herrndorf documented his thoughts and the final years of his life in a blog, which has now been published as a book entitled "Arbeit und Struktur" ("Work and Structure", Rowohlt, Berlin 2013). The title is derived from a comment by one of many doctors (Herrndorf, in his diary, resorts to referring them by numbers), who had recommended "work and structure" as a way of confronting fear and despair. Yet, as reviewer Frank Berzbach observes, no matter how depressing the diary’s entries are getting, at no point does Herrndorf allow his suffering to wrest control of his life from him: "This, indeed, is a reason to read his book: so as to maintain the upper hand, come what may. So as not to be driven to madness, or to escapism."
The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.