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Love in the Time of Swarms

What sort of life has digital technology given us? The techno-utopians of Silicon Valley claim to have the answer: connectivity -- the 'neutral' fact of creating links between nodes in a network -- has the potential to transform and improve every aspect of society, from economics to politics and culture. In a series of recent books, Korean-German philosopher Byung-Chul Han, who teaches cultural studies at the Berlin University of the Arts, has explored a diametrically opposed vision of digitally mediated societies: The vanishing, in the digital age, of established norms of privacy has not led to the promised condition of transparency and openness, but has only furthered neoliberalism’s project of surveillance and control, while the constant demand for self-improvement and an entrepreneurial notion of the self has given rise to a pandemic of existential fatigue. In his two most recent translations, 'In the Swarm: Digital Prospects' (2017, original German 2013) and 'The Agony of Eros' (2017 [2012]), Han turns his eye to the digital terrain of contemporary social relations, in politics as well as at an interpersonal level. And in both cases, the promised means of transformation turns out to be a very real hindrance: In politics, digital connectivity does not facilitate, but more often than not precludes, the establishment of meaningful political collectives; likewise, the ubiquitous availability of pornographic images does not liberate sexuality, but rather impedes intimacy. Yet, as reviewer James Daniel concludes, Han's incisive criticism of boilerplate techno-utopianism raises a thorny question: How can we effectively condemn the supremacy of the digital without at the same time appealing, at least implicitly, to technophobia?

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Welcome to The Berlin Review of Books

The Berlin Review of Books aims to publish high-quality reviews of, and insightful essays based on, important recent books published in any language, with a focus on non-fiction. While it will often approach contemporary debates from a European perspective, it is open to intelligent contributions from around the globe. Our goal is to promote honest and knowledgeable debate of issues of real significance; for this reason, we are committed to financial and editorial independence. The Berlin Review of Books does not normally publish fiction or poetry, except by invitation.

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