// archives

Archive for November, 2012

Entering the Zone

Both a guide to, and a literary ‘amplification’ of, Andrei Tarkovsky’s 1979 ‘Stalker’, Geoff Dyer’s ‘Zona’ is quite literally — as the subtitle puts it — ‘A Book About a Film About a Journey to a Room’. Just as in the movie a man named Stalker guides a writer and a scientist through ‘the Zone’ — an apocalyptic wilderness supposedly endowed with supernatural qualities — so Dyer leads the reader to questions at the limits of meaning. In doing so, writes reviewer Thorsten Botz-Bornstein, Dyer is not so much practising philosophy, but is pursuing a line of questioning that might be called ‘literary anthropology’. Dyer’s ruminations on Tarkovsky’s sense of place, his retelling of the film with all its d├ęcor, colors, flickering lights, noises and smells, all bring the reader closer to the metaphysical meaning of the film — its distinctly post-secularist intermingling of despair and hope.

A Tradition Uncovered

Whereas most historians and commentators have thought of the history of Hungarian philosophy as a history of the reception of Western ideas, a new book by Tamas Demeter sets out to identify a distinctively ‘Hungarian’ strand within twentieth-century philosophy in Hungary. What gives Hungarian thought its distinctive flavour, Demeter argues, is a keen awareness that many of the most pressing philosophical problems are deeply connected to problem of society and sociality. So thoroughgoing is this strand that one might plausible speak of ‘Hungarian sociologism’ (by analogy with ‘German idealism’ and ‘British idealism’). As reviewer Akos Sivado argues, the book succeeds in establishing “a framework that provides the interpretational basis for a coherent narrative of twentieth-century intellectual life” in Hungary and, as such, contributes to a continuation of the very tradition it identifies.