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Archive for March, 2013

Masks behind Masks

One of the most innovative and daring Hungarian writers of the 20th century, Miklós Szentkuthy wrote such masterpieces as ‘Prae’, ‘St. Orpheus’ Breviary’ (comprising 10 volumes), ‘Narcissus’ Mirror’ and many others. Thanks to recent efforts by Contra Mundum Press, much of Szentkuthy’s work is now gradually being made available in English. In this essay, writer and scholar András Nagy discusses Szentkuthy’s life and work, painting a rich portrait of a man with many masks and a vast – and lasting – literary legacy.


In ‘The Pale King’ (posthumously published in 2011), David Foster Wallace wrote: ‘This terror of silence with nothing diverting to do. I can’t think anyone really believes that today’s so-called “information society” is just about information. Everyone knows it’s about something else, way down.’ Today, this silence more often than not is frequently interrupted by hortatory slogans and demands for participation: ‘Do you participate? If not, why not? You should get involved, make a contribution, let them know what you think. Be part of something! It’ll be collaborative and democratic. And fun, too!’ Taking the recent publication of Claire Bishop’s ‘Artificial Hells: Participatory Art and the Politics of Spectatorship’ (Verso 2012) as his starting point, reviewer Richard Martin discusses the historical shifts in the participatory dimension of modern art. Whereas in the early decades of the 20th century participation was inextricably linked with political commitment — not always for the better — contemporary participatory art often involves little risk and few dangers.