Geoengineering — the idea that humans should deliberately engage in planetary-level interference with the Earth’s natural systems, in an attempt to partially reverse anthropogenic climate change — is a contentious idea, which nonetheless has quickly spread in policy circles and in the public’s imagination. Partly this is the result of the dismal failure of the global community to agree on, and enact, mitigation measures; partly, it is fuelled by a desire to see human beings as ‘in control’. Adding to several recent books on geoengineering, Clive Hamilton in ‘Earthmasters’ (Yale UP 2013) surveys the types of technologies being talked about under such labels as ‘solar radiation management’ and ‘carbon dioxide removal’, and inquires into the reasons for our collective inaction on climate mitigation. While much of the terrain has been covered elsewhere, reviewer Rose Cairns argues, Hamilton succeeds in bringing to the fore the issue of the enormous scale of the infrastructures that would be required to deploy any of the geoengineering techniques currently being explored.
Two and a half years after the tsunami and nuclear disaster in Japan in March 2011, a number of books have appeared which explore the impact of the events on Japanese politics and policy-making. In ‘After the Great East Japan Earthquake’, published by the Nordic Institute of Asian Studies, based in Copenhagen, a number of contributors analyze those policy areas most likely to be affected by the tragedy – politics, economics, energy, climate, agriculture and food safety – and describe how the sectors have been affected and what the implications are for the future. This adds up to a useful set of additional perspectives, according to reviewer Hansley A. Juliano, in this review originally written for the LSE Review of Books.
The last few years have witnessed a resurgence of political mass movements and revolts — ranging from the West’s ‘Occupy’ movement to the Arab Spring and recent protest movements in Turkey and Egypt. Participation in these movements is heavily skewed towards the urban, educated classes. Two recent books — one in German, the other in French — approach this phenomenon at a theoretical level, though from different disciplinary perspectives. As reviewer Thorsten Botz-Bornstein describes in his essay review of Wolfgang Kraushaar’s ‘The Revolt of the Educated’ (Hamburg 2012) and Roland Gori’s ‘The Impostor Factory’ (Paris 2013), both books identify a dissatisfaction with a particular style of governance and formal-instrumental style of rationality as one of the reasons behind these protests. Whereas Kraushaar gives an empirical-historical reconstruction of the figure of the “new global protester”, Gori — in a manner vaguely reminiscent of Jacques Ellul — analyzes the psychological potency of various techniques of ‘normalization’. Together, both books amount to a powerful critique of the social and political impostures that are being performed through false abstractions and misguided claims to universality.
The market, we are told, has moods and desires, is ‘jittery’ and ‘sends a message’. We are told to listen and anticipate its every move, preempting adverse ‘verdicts of the market’ through shrewd political decision-making. In his short (81-page) essay, ‘Can the Market Speak?’, Campbell Jones investigates the conceptual assumptions that underlie the idea that the market has intentions, consciousness, and the ability to speak to us. Yet, argues reviewer Mark Bergfeld, by solely focussing on the personification of the markets, Jones reveals a contradiction in capital’s attempt to paint the markets as behaving rationally: The supposed rational actors inside of the markets are themselves guided by “the invisible hand of the market”. In other words, underlying the very rationality of the market one finds irrationality and superstition.
In his new book, ‘Florence and Baghdad: Renaissance Art and Arab Science’, German art historian Hans Belting re-examines the dual use of perspective, as a transformative device of depiction in Western Art and as a form of geometrical abstraction in Middle Eastern Islamic art. While the theory of perspective was first formulated in eleventh-century Baghdad by Ibn al-Haithan (Alhazen), it was in Florence that its potential as a mirror of the human gaze was fully explored. However, writes reviewer Jerry Brotton, in re-evaluating the origins of perspective in Western art, Belting stays clear of clichéd arguments about how Arab and Islamic thinkers ‘got there first’ in the discovery of perspective. Instead, he asks the more profound question of why Alhazen developed the visual principles of perspective but did not translate them into an artistic theory. Central to his answer is the recognition that, on Alhazen’s account of vision, images were thought to originate in the imagination, not the eye: In other words, they could not be made visible because they did not occur in the external world.
In his book ‘Foundations of the American Century’ (Columbia University Press 2012), Inderjeet Parmar provides a wide-ranging study of the influence American philanthropic foundations have exerted on world politics and the ‘soft power’ that comes with cultural hegemony. The mutual penetration of state and society, notest Parmar, is ‘so deep and comprehensive – physically, politically, ideologically, psychologically, and organizationally – that it is almost impossible to say where one ends and the other begins’. Parmar’s book succeeds, writes reviewer Houman Barekat, because he studiously avoids the trap of implying an unmediated vertical relationship between the philanthropies and the political and economic elites whose goals they ultimately served. Nuanced and well-researched, Parmar’s study provides a healthy antidote to simplistic critiques of US ‘elites’, while bringing out – through case studies of Indonesia and Chile – how the initiatives of ‘philanthropic’ organizations dovetailed with and complemented those of the American state.
Most visitors to London’s Olympic Park will need to enter through a narrow passageway next to Westfield Stratford City, a gigantic retail and entertainment venue. The Olympic park itself is not accountable to any of the London boroughs and councils within which it is located. Combine this decline of the idea of public space with the curious opening skit that featured ‘James Bond’ and the Queen, and the idea of the Olympic Games as a celebration of the human body and spirit takes on more than a whiff of, as Lewis Beardmore puts it in his review of David Harvey’s ‘Rebel Cities’ – ‘the sinister securitisation and spatial control surrounding the emplacement of the Olympic Games in East London’.
River of Smoke follows Sea of Poppies, as the second instalment of Amitav Ghosh’s Ibis trilogy. Whereas the first book illustrated the rich details of opium production from its harvest to its packaging in earthenware balls for shipment, this second volume follows the path of the opium to its trade in Canton. The heterogeneous world of the Indian Ocean trading community is again clearly illustrated, with discursions into botany, painting, and the varied food available in each port. The subaltern can indeed speak in these books: characters who are of the “elite” are not the focus, rather those lower on the ladder, more directly affected by all aspects of the drug trade. As in Sea of Poppies, much of the dialogue is in various dialects — in this book, the pidgin of the Canton trading port — thus weaving a rich tapestry of the cosmopolitan diversity of colonial ports at the time. After production and trade, asks reviewer Katrina Gulliver, will the final book in the trilogy focus on opium’s end users?
Nilüfer Göle’s book “Interpénétrations: L’Islam et l’Europe”, recently translated as “Islam in Europe: The Lure of Fundamentalism and the Allure of Cosmopolitanism”, makes a strong case that Islam must be acknowledged as having become part of the fabric of European modernity. As reviewer Mohammed Khallouk points out, the experience and lifestyle of a generation of young Muslim women in Europe occupies a central place in Göle’s argument. While the values they adopt in their personal lives may differ from those of their (non-Muslim) peers, their non-confrontational fusion of Western modernity and Muslim spirituality showcases what a self-confident multireligious Europe might look like.
When do images and words become so powerful that they warrant punishment, or should be considered morally reprehensible? In this essay, Bruce Fleming, Professor of English at the U.S. Naval Academy Annapolis, reflects on the policing of speech and the increasing polarization of public debate in the United States. In an unlikely pairing, he contrasts Sarah Palin’s ‘America by Heart: Reflections on Family, Faith, and Flag’ with John Searle’s ‘Making the Social World’. What could a political memoir and mission statement of a presidential wannabe have to do with a scholarly work by a Berkeley philosophy professor? Read more to find out.